wrinting and sentence structure handbook
Oshima, Alice
1997
O criador, a criação e a identificação da imagem
Type
bookPart
Publisher
Identifier
HELD, Maria Sílvia Barros de ; ALHO, Carlos Alberto de Assunção (2022) - O criador, a criação e a identificação da imagem. In RAPOSO, D:, ed. [et al.] - Investigação e ensino em design e música. Castelo Branco : IPCB. p. 36-41. (Convergências Research Books ; vol. III).
Title
O criador, a criação e a identificação da imagem
The creator, creation and identifcation of the image
The creator, creation and identifcation of the image
Subject
Produtor
Criação
Interdisciplinar
Imagem
Producer
Creation
Interdisciplinary
Image
Criação
Interdisciplinar
Imagem
Producer
Creation
Interdisciplinary
Image
Date
2022-07-19T14:14:55Z
2022-07-19T14:14:55Z
2022
2022-07-19T14:14:55Z
2022
Description
Mesmo com movimentos constantes, na tentativa de se atualizarem, as imagens sofrem e
sempre sofrerão mudanças desempenhando
seus múltiplos papéis e funções e, embora,
apesar de estarem em constante mutação,
permanecerão, enquanto estrutura (com os
mais diversos códigos não verbais de comunicação), uma vez que servem de pedra de
toque para a construção atemporal da memória coletiva. Aqui se trata de refexões a
respeito de como se pode colocar um código
desconhecido em perspectiva. Este não é o
objetivo, mas o signifcado do criador no corpo social. Os conceitos são “conectados” em
torno da imagem ou mesmo de uma ideia que
se divide com as outras. É a força atrativa, na
maioria dos casos gerida pela empatia, pelo
reconhecimento dos códigos utilizados, que
vai legitimar (e ao mesmo tempo relativizar)
a participação do produtor na dinâmica social. Assim, a jornada de reconhecimento
se torna mais longa, embora continue de
forma inequívoca. O que pode ocorrer é o
fato do reconhecimento dos códigos utilizados
estarem tornando-se mais sutis. O método de
análise principal utilizado é o dedutivo. Este
estudo trata de uma relativização de conceitos
na busca do conceito previamente estabelecido, na tentativa pessoal (e talvez eterna)
de reorganização constante dos conceitos.
Abstract : Even with constant movements, in an attempt to update themselves, the images sufer and will always undergo changes performing their multiple roles and functions and, although, despite being in constant mutation, they will remain, as a structure (with the most diverse non-verbal codes of communication), since they serve as a touchstone for the timeless construction of collective memory. Here are refections on how to put unknown code into perspective. This is not the aim, but the meaning of the creator in the social body. Concepts are "connected" around the image or even an idea that is shared with others. It is the attractive force, in most cases managed by empathy, by the recognition of the codes used, which will legitimize (and at the same time relativize) the producer's participation in the social dynamics. Thus, the reconnaissance journey becomes longer, although it continues unequivocally. What can happen is that the recognition of the codes used is becoming more subtle. The main method of analysis used is the deductive one. This study deals with a relativization of concepts in the search for the previously established concept, in a personal (and perhaps eternal) attempt to constantly reorganize concepts.
info:eu-repo/semantics/publishedVersion
Abstract : Even with constant movements, in an attempt to update themselves, the images sufer and will always undergo changes performing their multiple roles and functions and, although, despite being in constant mutation, they will remain, as a structure (with the most diverse non-verbal codes of communication), since they serve as a touchstone for the timeless construction of collective memory. Here are refections on how to put unknown code into perspective. This is not the aim, but the meaning of the creator in the social body. Concepts are "connected" around the image or even an idea that is shared with others. It is the attractive force, in most cases managed by empathy, by the recognition of the codes used, which will legitimize (and at the same time relativize) the producer's participation in the social dynamics. Thus, the reconnaissance journey becomes longer, although it continues unequivocally. What can happen is that the recognition of the codes used is becoming more subtle. The main method of analysis used is the deductive one. This study deals with a relativization of concepts in the search for the previously established concept, in a personal (and perhaps eternal) attempt to constantly reorganize concepts.
info:eu-repo/semantics/publishedVersion
Access restrictions
openAccess
http://creativecommons.org/licenses/by/4.0/
http://creativecommons.org/licenses/by/4.0/
Language
por
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