Plantas e dor
Lima, J. J. Figueiredo
O percurso estilístico de Manuel de Tavares (c. 1585-1638)
Type
article
Creator
Publisher
Identifier
CASTILHO, M.L.C. (2013) - O percurso estilístico de Manuel de Tavares (c. 1585-1638). Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. Vol. VII, nº 13.
Title
O percurso estilístico de Manuel de Tavares (c. 1585-1638)
Subject
Musicologia
Polifonia
Policolaridade
Compositor do séc. XVII
Manuel de Tavares
Musicology
Polyphony
Composer of the century XVII
Polifonia
Policolaridade
Compositor do séc. XVII
Manuel de Tavares
Musicology
Polyphony
Composer of the century XVII
Date
2018-07-17T19:39:12Z
2018-07-17T19:39:12Z
2013
2018-07-17T19:39:12Z
2013
Description
Manuel de Tavares, natural de Portalegre, em cuja catedral
efectuou a sua formação com o Mestre de Capela António Ferro,
trasladou-se depois para Espanha, onde realizou a sua carreira
profissional, como Mestre de Capela em várias catedrais: Baeza, Múrcia,
Las Palmas de Gran Canária e Cuenca, onde morreu. Actualmente com
um acervo de 28 composições sobreviventes as quais compõem o objecto
deste estudo, propõe-se caracterizar a sua obra, formulando uma síntese
geral, capaz de proporcionar uma visão de conjunto. Por outro lado ao
tentarmos estabelecer uma cronologia das obras de Manuel de Tavares,
em conformidade com os locais onde exerceu a sua profissão e onde estão
depositadas as suas obras, encontramos diferenças estilísticas entre as
obras de juventude, isto é, as que provêem de Baeza e de Múrcia, e as de
maturidade, as de Las Palmas de Gran Canária. Assim, a análise do
percurso estilístico de Manuel de Manuel de Tavares é também um
intuito deste estudo.
ABSTRACT: Manuel de Tavares, a native of Portalegre, in whose Cathedral made his training with Mestre de Capela António Ferro, then moved to Spain, where he carried out his professional career, as Kappelmeiste at various cathedrals: Baeza, Murcia, Las Palmas de Gran Canaria and Cuenca, where he died. Currently with a collecon of surviving compositions which comprise 28 the subject of this study, it is proposed to characterize his work, by issuing a general synthesis, able to provide an overall view. On the other hand in trying to establish a chronology of works by Manuel de Tavares, in accordance with the locaons where he pracsed his profession and where they are deposited his works we find stylistic differences between the works of youth, that is, those who come from Baeza and of Murcia, and the maturity of Las Palmas de Gran Canaria. Thus, the analysis of the stylistic path of Manuel de Manuel Tavares is also an aim of this study.
info:eu-repo/semantics/publishedVersion
ABSTRACT: Manuel de Tavares, a native of Portalegre, in whose Cathedral made his training with Mestre de Capela António Ferro, then moved to Spain, where he carried out his professional career, as Kappelmeiste at various cathedrals: Baeza, Murcia, Las Palmas de Gran Canaria and Cuenca, where he died. Currently with a collecon of surviving compositions which comprise 28 the subject of this study, it is proposed to characterize his work, by issuing a general synthesis, able to provide an overall view. On the other hand in trying to establish a chronology of works by Manuel de Tavares, in accordance with the locaons where he pracsed his profession and where they are deposited his works we find stylistic differences between the works of youth, that is, those who come from Baeza and of Murcia, and the maturity of Las Palmas de Gran Canaria. Thus, the analysis of the stylistic path of Manuel de Manuel Tavares is also an aim of this study.
info:eu-repo/semantics/publishedVersion
Access restrictions
openAccess
http://creativecommons.org/licenses/by/4.0/
http://creativecommons.org/licenses/by/4.0/
Language
por
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