Optimization of pig breeding programmes
De Vries, A.G.
1987
Type
article
Creator
Publisher
Identifier
SANTOS, J. ; PINHEIRIO, H. ; SANTOS, O. (2013) - Arthur Bispo do Rosário: nas tramas da loucura, teceu sua Arte. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. Vol. VII, nº 13.
Title
Arthur Bispo do Rosário: nas tramas da loucura, teceu sua Arte
Subject
Arte bruta
Arte incomum
Arthur Bispo do Rosário
Art brut
Unusual art
Arte incomum
Arthur Bispo do Rosário
Art brut
Unusual art
Date
2018-06-10T18:07:46Z
2018-06-10T18:07:46Z
2013
2018-06-10T18:07:46Z
2013
Description
Este artigo nos remete às reflexões sobre a linha imaginária
que possa haver entre a arte e loucura. Com base em que critérios,
podemos afirmar que as psicoses se manifestam em arstas pláscos? Ou
até que ponto as obras de um psicótico, tais como Arthur Bispo do
Rosário, podem ser consideradas obras de arte. Neste contexto, é
oportuno questionar: será que a loucura manifesta a arte ou a arte
manifesta a loucura? Arthur Bispo do Rosário viveu a maior parte de sua
vida na Colônia Juliano Moreira, do Rio de janeiro. Foi submetida às
práticas médicas de tratamento padrão, para a época, praticada em
pacientes internados. Não obstante, como um cavaleiro solitário,
conforme descreve Luciana Hidalgo, criou seu mundo onírico e obedecia
às vozes que escutava dentro de si. A partir daí, ia desfiando os tecidos
dos uniformes e recolhendo objetos descartados ou em desuso,
metamorfoseando-os em obras, hoje consideradas obras de arte, nacional
e internacionalmente
ABSTRACT: This article regards to the reflecons on the imaginary line that can exist between art and madness. Based on what criteria can we see that the psychoses are manifested in artists? Or to what extent the work of a psychoc, such as Arthur Bispo do Rosário, can be considered works of art? In this context, it is appropriate to ask: will the madness manifests art or art expresses the madness? Arthur Bispo do Rosário lived most of his life in the Juliano Moreira Colony of Rio de Janeiro. He was submied to current medical treatment for the time, practiced in hospitalized patients. Nevertheless, as a lonely rider, as described by Luciana Hidalgo, created his dream world and obeyed the voices inside his head. Thereatier, he unraveled the tissue of uniforms and collected discarded or unused objects, morphing them into pieces now considered works of art, nationally and internationally
info:eu-repo/semantics/publishedVersion
ABSTRACT: This article regards to the reflecons on the imaginary line that can exist between art and madness. Based on what criteria can we see that the psychoses are manifested in artists? Or to what extent the work of a psychoc, such as Arthur Bispo do Rosário, can be considered works of art? In this context, it is appropriate to ask: will the madness manifests art or art expresses the madness? Arthur Bispo do Rosário lived most of his life in the Juliano Moreira Colony of Rio de Janeiro. He was submied to current medical treatment for the time, practiced in hospitalized patients. Nevertheless, as a lonely rider, as described by Luciana Hidalgo, created his dream world and obeyed the voices inside his head. Thereatier, he unraveled the tissue of uniforms and collected discarded or unused objects, morphing them into pieces now considered works of art, nationally and internationally
info:eu-repo/semantics/publishedVersion
Access restrictions
openAccess
http://creativecommons.org/licenses/by/4.0/
http://creativecommons.org/licenses/by/4.0/
Language
por
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